Classical Revolution + Measha – Really!

Sometimes, you’re just in the right place, at the right time.  And last night was one of those times.

The place was Toronto’s Tranzac Club, and not ten feet from me was  soprano Measha  Brueggergosman, transforming the room, entertaining, teasing the musicians, educating.  Oh that voice!  In the background, the occasional piercing squeal of her baby caused chuckles, and her smile widened in obvious pleasure.

This was not a formal concert, planned months in advance.  It had been organized on Facebook, by an informal group known as Classical Revolution Toronto* (if you’re on Facebook, you can search for their name).  The event’s main organizer was violinist Edwin Huizinga*, who was part of the original Classical Revolution start-up event in San Francisco years ago.

Some of the best musicians in North America gave the concert out of the goodness of their hearts.  Measha Brueggergosman joined them — yes no charge —  to share the music they love.  Other musicians won’t soon forget the experience of  playing with these wonderful artists, led by none other than TSO’s guest conductor James Gaffigan.**

Surrounded by other musicians, music lovers, and some surprised, delighted beer drinkers, the room came alive the way it does sometimes at Classical Revolution events – with laughter, musicians of every stripe crowded together, informal clothing, cello cases scattered about, occasional pauses, adjustments, mistakes and more laughter.   It’s reminiscent of ‘jamming’, but with classical music.

In Classical Revolution events,  great music meets people close up and personal, intimately, in a way that never happens in a concert hall. There’s something precious about seeing the great opera singer teasingly offer her glasses to a violinist, impulsively hugging the conductor, who turns and reaches for his drink, which happens to be on our table.  It is magical to see up close the physical power of a great soprano, as her rich voice surrounds you.  My tears welled up.

You can feel the strength of the cellists sweeping their bows across the strings, your diaphragm vibrating with the music.  Up close, you can see this is not effortless work. You can hear details in the playing, individual styles. You can see the look of admiration one musician has for another.  In this case, we could also hear the baby’s squeals – and actually see Brueggergosman’s passionate love for her child.

And was all that not part of the origin of “chamber” music?  Chambre is French for bedroom – where music in that era was played amidst children and perhaps aunts, uncles, grandparents, coming and going.  It was not so much about the precision or perfection of the composed music, listened to in formal silence, but about a total experience.  I imagine such children grew up with that music a part of their souls.

Yes, not like any concert I ever attended.  Here the “vibe” of living happens, leaving us with an unforgettable memory.  Now that’s a world class moment.

* http://www.colineatock.com/1/post/2013/04/in-praise-of-bad-music.html

** http://tso.ca/Concerts-And-Tickets/Events/2012-2013-Season/Measha-Brueggergosman.aspx

This entry was posted in Classical Revolution, James Galligan, Measha Brueggergosman, Toronto Symphony Orchestra, Tranzac Club, urban and tagged , , , , , . Bookmark the permalink.

7 Responses to Classical Revolution + Measha – Really!

  1. Bill Dixon says:

    Wow! You really captured the feeling and complex richness of the experience. I hope Classical Revolutions keep hapening. I want to add my appreciation of these amazing musicians for the chance to share that intimate experience time after time.

  2. Thank you. You have truly encapsulated the experience I hope to create, and be a part of, as a classical musician. I was very moved (tears came to my eyes, as well) when I read about your reaction to hearing and watching me sing. I too have had that experience while listening to some of my colleagues. I feel extremely privileged to do what I do but that “privilege” expands to “blessing” through happenings like Classical Revolution. Adding to that blessing is when I get to then also read the words of someone who truly gets what classical music is supposed to accomplish: a communal meeting of contemporary minds committed to the intimate and collaborative recreation of the world’s most beautiful music…with beer!

    • That means so much, coming from such a multi-talented artist: saw you in Murdoch Mysteries, and this week on Rick Mercer — “whaling!” Like our lovable Rick, you truly make the world a better place! 🙂

  3. What a information of un-ambiguity and preserveness of valuable experience about unexpected
    emotions.

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